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Slow Down

Rating
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Format
CD (1 Disc); Stereo
Release Date
24 August 1995
Hurry - Only 4 left in stock!
Album: Slow Down
# Song Title   Time
1)    Slow Down (But Don't Stop)
2)    That's the Way That I Do It
3)    Get up, Start Dancing
4)    Breakdown
5)    Careful Man
6)    All You'll Ever Need
7)    One Man, One Woman, One Love
8)    Too Many Lovers
9)    Paradise
10)    Blues Territory
11)    You Still Make Me Feel Good
 

Our Price
$29.48
Ships from USA Estimated delivery date: 3rd Jun - 11th Jun from USA
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Album: Slow Down
# Song Title   Time
1)    Slow Down (But Don't Stop)
2)    That's the Way That I Do It
3)    Get up, Start Dancing
4)    Breakdown
5)    Careful Man
6)    All You'll Ever Need
7)    One Man, One Woman, One Love
8)    Too Many Lovers
9)    Paradise
10)    Blues Territory
11)    You Still Make Me Feel Good
 
Product Description
Product Details
EAN
0048021744329
Writer
Country
USA
Studio/Live
Studio
Label
Malaco
Dimensions
12.5 x 14.2 x 1 centimeters (0.06 kg)
Performer Notes
  • Personnel: Latimore (vocals, keyboards); Earl Alexander, Michael Toles (guitar); Stuart MacDonald , Jeremy Miller, David Chappell, Phil Tempkins, Carol Freedman, John DiPuccio, Robert Basso, Debra Spring (strings); Ed Calle (saxophone, horns); Tony Concepcion, Dana Teboe (horns); Richard Cason (keyboards, synthesizer); Clayton Ivey (keyboards); Roger Hawkins (drums, percussion); Richie Puente (congas, percussion); The Rose Brothers (background vocals).
  • Recording information: Criteria Studios, Miami, FL; Malaco Recording Studio, Jackson, MS; Trax Studios, Hollywood, CA.
  • Photographer: Al Freddy.
  • Arrangers: Jimmy Lewis ; Richard Cason.
  • This was Latimore's best Malaco release, and arguably his finest record in the '80s. It had both moving ballads and fine uptempo tunes, and his usually resourceful, deep soul vocals were stronger and more confident and animated. The song "One Man, One Woman, One Love" was the type of simple yet engaging number that the Malaco tunesmiths didn't deliver consistently enough for their acts in the late '80s. It was also the kind of song that had a vintage sound but a contemporary outlook. ~ Ron Wynn
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