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The Best Of Art Tatum

Rating
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Format
CD (1 Disc); Mono
Release Date
17 February 2007
Album: The Best Of Art Tatum
# Song Title   Time
1)    Night And Day Album Version More Info... 6:08
2)    Willow Weep For Me More Info... 4:32
3)    (I'm Left With The) Blues In My Heart More Info... 6:00
4)    Caravan More Info... 2:37
5)    A Foggy Day More Info... 3:21
6)    Hallelujah More Info... 4:54
7)    Can't We Be Friends More Info... 3:46
8)    Have You Met Miss Jones? More Info... 4:46
9)    Elegy More Info... 3:36
10)    Love For Sale More Info... 5:31
 

Our Price
$49.40
Ships from USA Estimated delivery date: 12th May - 20th May from USA
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Album: The Best Of Art Tatum
# Song Title   Time
1)    Night And Day Album Version More Info... 6:08
2)    Willow Weep For Me More Info... 4:32
3)    (I'm Left With The) Blues In My Heart More Info... 6:00
4)    Caravan More Info... 2:37
5)    A Foggy Day More Info... 3:21
6)    Hallelujah More Info... 4:54
7)    Can't We Be Friends More Info... 3:46
8)    Have You Met Miss Jones? More Info... 4:46
9)    Elegy More Info... 3:36
10)    Love For Sale More Info... 5:31
 
Product Description
Product Details
EAN
0025218041829
Writer
Producer
Country
USA
Studio/Live
Studio
Guest Artist
Lionel Hampton; Benny Carter; Buddy Rich; Red Callender; Buddy DeFranco; Roy Eldridge; Ben Webster; Louie Bellson
Label
Pablo Records
Performer Notes
  • Personnel includes: Art Tatum, Louis Bellson, Red Callender, Benny Carter, Buddy DeFranco, Roy Eldridge, Lionel Hampton, Jo Jones, Buddy Rich, Ben Webster.
  • It is generally agreed that Art Tatum was the greatest jazz virtuoso of them all. Legally blind in one eye and seriously impaired in the other, Tatum learned to read music by Braille. His genius was recorded during the '30s, when swing was the dominant music of choice. He incorporated ragtime, blues, swing, boogie-woogie, and classical influences to form his unique style. His virtuosic performances quickly became legendary and were even attended by the great classical pianist Vladimir Horowitz. This recording is from Tatum's massive Pablo output (eight solo recordings and eight group recordings) made between 1953-55. The group recordings ultimately were less effective, as Tatum proved to be almost impossible to compliment; however, all are highly recommended. The selections here from the 16 sessions are a fine representation, but it is highly recommended that this just be the starting point. ~ Robert Taylor
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