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Women's Emancipation Writing­ at the Fin de Siecle
Routledge Studies in Nineteenth Century Literature
By Elena V. Shabliy (Edited by), Dmitry Kurochkin (Edited by), O’Donnell Karen (Edited by)

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Format
Hardback, 230 pages
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Paperback : $76.63

Published
United Kingdom, 25 January 2019

This work investigates women’s emancipation writing in the second half of the nineteenth and the early twentieth centuries. Many novelists in various national literatures touched upon the theme of an emancipated woman in the long nineteenth century and at the fin de siècle. Philosophers, poets, writers, and journalists were concerned with this problem and began popularizing wholeheartedly the so-called "burning" questions. The new femininity was represented not only in the Christian context; many other traditions and cultures opened the discussion about the women’s lot. This volume analyzes women’s literary voices from different parts of the world—Turkey, England, the U.S., Italy, Russia, Spain, and others. Imagination, as it is believed, has no borders and is dialogical in its nature.


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Product Description

This work investigates women’s emancipation writing in the second half of the nineteenth and the early twentieth centuries. Many novelists in various national literatures touched upon the theme of an emancipated woman in the long nineteenth century and at the fin de siècle. Philosophers, poets, writers, and journalists were concerned with this problem and began popularizing wholeheartedly the so-called "burning" questions. The new femininity was represented not only in the Christian context; many other traditions and cultures opened the discussion about the women’s lot. This volume analyzes women’s literary voices from different parts of the world—Turkey, England, the U.S., Italy, Russia, Spain, and others. Imagination, as it is believed, has no borders and is dialogical in its nature.

Product Details
EAN
9780367134686
ISBN
0367134683
Publisher
Dimensions
22.9 x 15.2 x 1.6 centimeters (0.46 kg)

Table of Contents

Introduction

The New, but New with G*d

Elena V. Shabliy

Chapter 1

Women’s Labor Activism in the Progressive Era and Marie Van Vorst’s Amanda of the Mill as a Social Propaganda Tool

Emine Gecgil

Chapter 2

"I have been wronged, and I long to right myself at once": Revenge, Deceit and Female Power in Louisa May Alcott’s Sensational Short Fiction

Evangelia Kindinger

Chapter 3

Who’s Afraid of Women Photographers? Redefining Gender, Gaze, and Photography in Amy Levy’s The Romance of a Shop

Mavis Chia-Chieh Tseng

Chapter 4

Rediscovering London in Ella Hepworth Dixon’s The Story of a Modern Woman

Sun Jai Kim

Chapter 5

The First "New Woman" in Modern Hebrew Literature: Finalia Adelberg in Love of The Righteous, or, The Persecuted Families by Sarah Feiga Meinkin

Michal Fram Cohen

Chapter 6

Gendering the Empire: The Discourse on the New Woman and Emergence of Ottoman Feminism, 1860-1918

Burcin Cakir

Chapter 7

Gertrudis Gómez de Avellaneda: A Feminist Life and its Discourse

Laureano Corces

Chapter 8

Harriet Beecher Stowe and Two Fin de Siècle Women Writers

Afrin Zeenat

Chapter 9

Women’s Roles in Mass Literacy, Production, and Sensation in George Gissing’s New Grub Street

Robin M. Mako Citarella

Conclusion

About the Author

Elena V. Shabliy is a Visiting Scholar at Columbia University and a Postdoctoral Fellow at Harvard University.

Dmitry Kurochkin is a Research Associate at Harvard University.

Karen O’Donnell is the CODEC Research Fellow at Durham University.

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