This agenda-setting volume on travel and drama in early modern England provides new insights into Renaissance stage practice, performance history, and theatre's transnational exchanges. It advances our understanding of theatre history, drama's generic conventions, and what constitutes plays about travel at a time when the professional theatre was rapidly developing and England was attempting to announce its presence within a global economy. Recent critical studies have shown that the reach of early modern travel was global in scope, and its cultural consequences more important than narratives that are dominated by the Atlantic world suggest. This collection of essays by world-leading scholars redefines the field by expanding the canon of recognized plays concerned with travel. Re-assessing the parameters of the genre, the chapters offer fresh perspectives on how these plays communicated with their audiences and readers.
This agenda-setting volume on travel and drama in early modern England provides new insights into Renaissance stage practice, performance history, and theatre's transnational exchanges. It advances our understanding of theatre history, drama's generic conventions, and what constitutes plays about travel at a time when the professional theatre was rapidly developing and England was attempting to announce its presence within a global economy. Recent critical studies have shown that the reach of early modern travel was global in scope, and its cultural consequences more important than narratives that are dominated by the Atlantic world suggest. This collection of essays by world-leading scholars redefines the field by expanding the canon of recognized plays concerned with travel. Re-assessing the parameters of the genre, the chapters offer fresh perspectives on how these plays communicated with their audiences and readers.
Introduction: understanding the early modern journeying play Claire Jowitt and David McInnis; 1. 'For his travailes let the Globe witnesse': venturing on the stage in early modern England Anthony Parr; 2. Seeing and overseeing the stage as map in Early Modern drama Ladan Niayesh; 3. Marlowe's Mediterranean and counter-epic forms of oceanic hybridity Steve Mentz; 4. Making the land known: Henry IV, Parts 1 and 2 and the literature of perambulation Julie Sanders; 5. Eastward Ho and the traffic of the stage Andrew Gordon; 6. Language and seafaring in Thomas Middleton and John Webster's Anything for a Quiet Life Marianne Montgomery; 7. Rogue cosmopolitans on the Early Modern stage: John Ward, Thomas Stukeley, and the Sherley brothers Daniel Vitkus; 8. Drama at sea: a new look at Shakespeare on the Dragon, 1607–8 Richmond Barbour and Bernhard Klein; 9. Strange bedfellows: the ordinary undersides of 'a true reportory' and The Tempest Emily C. Bartels; 10. Travelling characters in early modern drama David McInnis; 11. 'Constant changelings', theatrical form, and migration: stage travel in the early 1620s Clare McManus; 12. The uses of cultural encounter in Sir William Davenant's Caroline-to-Restoration voyage drama Claire Jowitt.
Offers new ways to conceptualize the relationship between early modern travel and drama, and re-assesses how travel drama is defined.
Claire Jowitt is Associate Dean for Research in Arts and Humanities and Professor of English and History at the University of East Anglia. She is author of Voyage Drama and Gender Politics, 1589–1642 (2003) and The Culture of Piracy: English Literature and Seaborne Crime 1580–1630 (2010). David McInnis is the Gerry Higgins Senior Lecturer in Shakespeare Studies at the University of Melbourne. He is author of Mind-Travelling and Voyage Drama in Early Modern England (2011) and co-editor (with Matthew Steggle) of Lost Plays in Shakespeare's England (2014).
'Travel and Drama in Early Modern England manages to be at once
unified and multifocal.' Cecilia Lindskog Whiteley, Notes and
Queries
'… this important volume presents a broad discussion about travel
on the early modern stage, fittingly for a subject that evoked such
different emotions and was an emblem for so many different things.'
Cecilia Lindskog Whiteley, Notes and Queries
'Travel and Drama in Early Modern England adds significantly to
ongoing conversations on travel and its dramatic afterlives during
the age of exploration.' Amrita Sen, Renaissance Quarterly
'This fascinating collection offers an insightful analysis of the
uses and representations of travel on the early modern stage.'
Jennifer Cryar, The Year's Work in English Studies
'… a fascinating study that will be of use to scholars and students
working on a variety of topics, from city comedy to the trope of
the colonial 'encounter', and indeed, as the contributors show, the
gap between these two examples is rarely wide.' Laura Seymour,
Sixteenth Century Journal
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