The Governor General's Literary award-winning exploration of suicide in which one of Canada's most gifted writers attempts to understand why his brother took his own life. Which leads him to another powerful question: Why are boomers killing themselves at a far greater rate than the Silent Generation before them or the generations that have followed?
In the spring of 2006, Don Gillmor travelled to Whitehorse to reconstruct the last days of his brother, David, a talented musician whose truck and cowboy hat had been found at the edge of the Yukon River. David's family, his wife and his friends had different theories about his disappearance. Some thought he had run away; some thought he'd met with foul play; but most believed that David, who at forty-eight was about to give up the night life for a day job, had intentionally walked into the water. Just as Don was about to paddle the river looking for traces, David's body was recovered. And Don's canoe trip turned into an act of remembrance and mourning.
Though David could now be laid to rest, there was no rest for his survivors. In this tender, probing, surprising work, Don Gillmor helps those left behind understand why people kill themselves and how to live with the aftermath. And he asks why, for the first time, it's not the teenaged or the elderly who have the highest suicide rate, but the middle aged. Especially men.
The Governor General's Literary award-winning exploration of suicide in which one of Canada's most gifted writers attempts to understand why his brother took his own life. Which leads him to another powerful question: Why are boomers killing themselves at a far greater rate than the Silent Generation before them or the generations that have followed?
In the spring of 2006, Don Gillmor travelled to Whitehorse to reconstruct the last days of his brother, David, a talented musician whose truck and cowboy hat had been found at the edge of the Yukon River. David's family, his wife and his friends had different theories about his disappearance. Some thought he had run away; some thought he'd met with foul play; but most believed that David, who at forty-eight was about to give up the night life for a day job, had intentionally walked into the water. Just as Don was about to paddle the river looking for traces, David's body was recovered. And Don's canoe trip turned into an act of remembrance and mourning.
Though David could now be laid to rest, there was no rest for his survivors. In this tender, probing, surprising work, Don Gillmor helps those left behind understand why people kill themselves and how to live with the aftermath. And he asks why, for the first time, it's not the teenaged or the elderly who have the highest suicide rate, but the middle aged. Especially men.
DON GILLMOR is one of Canada's most accomplished writers. His most recent book, To the River, won the Governor General's Literary Award for Non-fiction, and his previous journalism on suicide earned him both a National Newspaper Award and a National Magazine Award. Gillmor is also the author of the bestselling, award-winning two-volume Canada: A People's History, and his other books include the novels Kanata, Mount Pleasant and Long Change, which were published to critical acclaim. Two of the nine books he's written for children were nominated for the Governor General's Literary Award. He lives in Toronto with his wife and two children.
WINNER OF THE 2019 GOVERNOR GENERAL'S LITERARY AWARD IN
NON-FICTION
“To The River: Losing My Brother is haunting, beautifully written
and rightly hesitant about any certainties regarding an act as
ultimately unknowable in social terms as it is in individual
decisions.” —Brian Bethune, Maclean’s
“Gillmor took on the thankless, though compelling, existential task
of understanding another man’s life, happiness and grief. And what
makes it worth leaving.” —The Globe and Mail
“[T]he book frequently shifts, seamlessly, from the brothers’
stories to a wider perspective. As he explores the cultural,
sociological and psychological questions surrounding suicide,
Gillmor circles ever closer to an answer to the central question of
those left behind: why? On the way, he draws back the curtain on a
subject too little discussed. . . . To the River is a family story,
focused on a brother's love and loss. It is a keen-edged, frank
book, beautiful and unflinching, painful but important.” —The
Peterborough Examiner
“As he explores the cultural, sociological and psychological
questions surrounding suicide, Gillmor circles ever closer to an
answer to the central question of those left behind: Why? On the
way, he draws back the curtain on a subject too little discussed. .
. . At its heart, though, To the River is a family story, focused
on a brother’s love and loss. It is a keen-edged, frank book,
beautiful and unflinching, painful and important.” —Robert J.
Wiersema, author of Seven Crow Stories, Toronto Star
“Don Gillmor offers us far more than a portrait of his lost
brother—he invites us to contemplate our own hidden interiors. To
the River is a clear-eyed, unsentimental journey to the edge of an
oblivion so many of us quietly skirt. Deeply personal, broadly
researched and beautifully, beautifully written.” —Daemon Fairless,
author of Mad Blood Stirring
“A beautiful, shattering book. Wise and honest, and exquisitely
written. Insight for anyone who has known the gnawing sorrow or the
endless accusation of a senseless loss. It will also make you laugh
out loud. Go figure.” —Linden MacIntyre, Scotiabank Giller–prize
winning author of The Bishop’s Man
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