Media platforms continually evolve, but the issues surrounding media representations of gender and sexuality have persisted across decades. Spectator: The University of Southern California Journal of Film and Television Criticism has published groundbreaking articles on gender and sexuality, including some that have become canonical in film studies, since the journal's founding in 1982. This anthology collects seventeen key articles that will enable readers to revisit foundational concerns about gender in media and discover models of analysis that can be applied to the changing media world today.
Spectatorship begins with articles that consider issues of spectatorship in film and television content and audience reception, noting how media studies has expanded as a field and demonstrating how theories of gender and sexuality have adapted to new media platforms. Subsequent articles show how new theories emerged from that initial scholarship, helping to develop the fields of fandom, transmedia, and queer theory. The most recent work in this volume is particularly timely, as the distinctions between media producers and media spectators grow more fluid and as the transformation of media structures and platforms prompts new understandings of gender, sexuality, and identification. Connecting contemporary approaches to media with critical conversations of the past, Spectatorship thus offers important points of historical and critical departure for discussion in both the classroom and the field.
Show moreMedia platforms continually evolve, but the issues surrounding media representations of gender and sexuality have persisted across decades. Spectator: The University of Southern California Journal of Film and Television Criticism has published groundbreaking articles on gender and sexuality, including some that have become canonical in film studies, since the journal's founding in 1982. This anthology collects seventeen key articles that will enable readers to revisit foundational concerns about gender in media and discover models of analysis that can be applied to the changing media world today.
Spectatorship begins with articles that consider issues of spectatorship in film and television content and audience reception, noting how media studies has expanded as a field and demonstrating how theories of gender and sexuality have adapted to new media platforms. Subsequent articles show how new theories emerged from that initial scholarship, helping to develop the fields of fandom, transmedia, and queer theory. The most recent work in this volume is particularly timely, as the distinctions between media producers and media spectators grow more fluid and as the transformation of media structures and platforms prompts new understandings of gender, sexuality, and identification. Connecting contemporary approaches to media with critical conversations of the past, Spectatorship thus offers important points of historical and critical departure for discussion in both the classroom and the field.
Show more"An important collection that brings together very early work by some major scholars, including Gaylyn Studlar, Amy Lawrence, Sean Griffin, Mary Celeste Kearney, and Harry M. Benshoff. It will give film scholars and, especially, graduate students an illuminating vantage point on the history of a major topic, spectatorial theory, that defined film studies methodologically and as a discipline." -- Steven Cohan, Syracuse University, author of Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical "This is a very well-conceived and well-executed anthology. It will be particularly helpful for a course focused on gendered and sexed experiences of media culture and their intersections with other aspects of identity." -- Elana Levine, University of Wisconsin-Milwaukee, coauthor of Legitimating Television: Media Convergence and Cultural Status
Roxanne Samer is visiting faculty in visual and media arts at Grand Valley State University. In 2016–2017, she served as the postdoctoral scholar–teaching fellow in cinema and media studies at the University of Southern California, where she edited Spectator 37.2 (Fall 2017), a special issue dedicated to the study of transgender media.
William Whittington is the assistant chair of cinema and media studies at the University of Southern California. He has been the managing editor of Spectator since 2002.
The essays [in Spectatorship] are interesting and are chock full of
the vitality of new academic engagement that remains the strength
of the USC journal.
*Film International*
The ability of Spectatorship’s contributors to touch on such a vast
range of alternate subjectivities in its examination of
representations of gender and sexuality across a broad media
landscape is, undoubtably, its key strength...the volume does a
stellar job showcasing a diverse range of perspectives on various
related issues.
*Popular Culture Studies Journal*
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