THE GOOD AUDITION GUIDES:
Helping you select and perform the audition piece that is best suited to your performing skills
Each Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.
Each volume also carries a user-friendly introduction on the whole process of auditioning.
Shakespeare Monologues for Women contains 50 monologues drawn from across the Shakespeare canon. Each speech is prefaced with an easy-to-use guide to Who is speaking, Where, When and To Whom, What has just happened in the play and What are the character's objectives. In fact, everything the actor needs to know before embarking on the audition!
Shakespeare Monologues for Women is edited by director, teacher and academic Luke Dixon.
'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on the Good Audition Guides
Show moreTHE GOOD AUDITION GUIDES:
Helping you select and perform the audition piece that is best suited to your performing skills
Each Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.
Each volume also carries a user-friendly introduction on the whole process of auditioning.
Shakespeare Monologues for Women contains 50 monologues drawn from across the Shakespeare canon. Each speech is prefaced with an easy-to-use guide to Who is speaking, Where, When and To Whom, What has just happened in the play and What are the character's objectives. In fact, everything the actor needs to know before embarking on the audition!
Shakespeare Monologues for Women is edited by director, teacher and academic Luke Dixon.
'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on the Good Audition Guides
Show moreLuke Dixon is a director, teacher and academic. He is internationally known for his largely site-specific Shakespeare productions, often with his own company, Theatre Nomad, which he founded in 1993. As a teacher he has run workshops and training programmes in Asia, Africa, America and throughout Europe and the UK.
"Sound practical advice for anyone attending an audition... a source of inspiration for teachers and students alike" Teaching Drama Magazine"
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