In 1935, Angus Bowmer, an instructor at Southern Oregon Normal School in Ashland, began with a dream and a small coterie of devoted friends who believed, as he did, in the value of Shakespeare performed on an Elizabethan stage. Though the Oregon Shakespeare Festivalas early platforms were rudimentary and the backstage areas primitive, the art drew enthusiastic audiences. The urgency of World War II closed the festivalas doors, but in 1947 it reopened with larger theater facilities and an expanded repertory, winning the support and respect of state, regional, and national artists and dignitaries. In a setting of extraordinary beauty and a community dedicated to culture and the arts, the 75-year-old Oregon Shakespeare Festival (OSF) is among the largest and most influential professional regional theaters in North America.
In 1935, Angus Bowmer, an instructor at Southern Oregon Normal School in Ashland, began with a dream and a small coterie of devoted friends who believed, as he did, in the value of Shakespeare performed on an Elizabethan stage. Though the Oregon Shakespeare Festivalas early platforms were rudimentary and the backstage areas primitive, the art drew enthusiastic audiences. The urgency of World War II closed the festivalas doors, but in 1947 it reopened with larger theater facilities and an expanded repertory, winning the support and respect of state, regional, and national artists and dignitaries. In a setting of extraordinary beauty and a community dedicated to culture and the arts, the 75-year-old Oregon Shakespeare Festival (OSF) is among the largest and most influential professional regional theaters in North America.
Kathleen F. Leary has worked as OSF's archivist for 24 years; media and communications manager Amy E. Richard has been with the festival for 12 years. Using images selected from the festival's extensive archival collection, these pages document its rich onstage and offstage history. Images from the Southern Oregon Historical Society and the Terry Skibby Collection show OSF's roots in the Chautauqua movement and its close relationship with the Southern Oregon community.
Title: A new history of OSF Author: M J Daspit Publisher: Ashland
Daily Tidings Date: 10/15/09
The Oregon Shakespeare Festival is noteworthy for many reasons, not
the least of which is its improbable history.
Founded in 1935 during the Depression in an out-of-the-way place,
the festival took firm root for reasons that defy economic common
sense. A new book, "Images of America: The Oregon Shakespeare
Festival," just out to commemorate the festival's 75th anniversary,
provides a pictorial documentary of how it all came about.
The slender paperback volume with the trademark sepia-toned cover
image of Arcadia Publishing was conceived as a spin-off of
Arcadia's "History of Ashland" by Joe Peterson, which also appeared
recently in bookstores. In September of 2008, Arcadia's Pacific
Northwest Acquisitions Editor Sara Higginbotham contacted OSF Media
Relations Manager Amy Richard looking for someone to do a history
of Ashland. In discussing potential names with OSF Archivist
Kathleen Leary, Richard saw an opportunity to do a separate volume
devoted to the festival.
The only problem was the publisher's April 2009 deadline. By the
time the project was contracted, Richard and Leary had less than
four months to complete the work. When asked how many photos they
went through, Leary shook her head and said, "thousands." Selecting
images that would best portray the festival as it grew and changed
was only part of the problem. There were also publisher's
requirements to consider. The dimensions of the volume dictated
mostly horizontal shots. And once a photo was selected, there was
the challenge of accurately identifying actors, staff, and
community volunteers going back more than 70 years.
Some of the faces recognizable to locals include Dave Marston and
James Giancarlo performing at the Green Show and Arnold Kohnert
helping mount a display at the exhibit center. Nationally known
personalities such as William Jennings Bryan, Duke Ellington,
George Peppard, Ginger Rogers, Stacy Keach and William Hurt also
make cameo appearances.
In compiling the history, Richard said, "We chose a chronological
format, and tried to highlight community support, how the town grew
with the festival." She pointed out that reception of the book
demonstrates how locals continue that support. "It's available not
only at the Tudor Guild and Bloomsbury, but also in the drug store
and the hardware store." Volumes in Arcadia's "Images of America"
series are strictly limited to 128 pages. Text consists of short
introductions to each chapter and captions for 180 to 240 black and
white photographs.
Some readers may wish for an index or something more in the way of
where OSF fits in the broader context of American theater. But
these are quibbles. Given the publisher's constraints, the volume
succeeds admirably in highlighting critical scenes in the story of
how the miracle child of Angus Bowmer became the lifeblood of
Ashland.
Title: Amy Richard and Kit Leary Write Book on the Shakespeare
Festival
Author: Staff Writer
Publisher: Ashland Sneak Preview
Date: 10/8/09 Arcadia Publishing has recently published Oregon
Shakespeare Festival as part of its popular Images of America
series. The book, written by Kathleen F. Leary and Amy Richard,
coincides with the 75th anniversary of the Festival and features
more than 200 images from the Festival's extensive archival
collection, plus photos from the Southern Oregon Historical Society
and the Terry Skibby collection. The authors attempt to answer the
long-time mystery of "how a nationally-renowned theater came to be
located in rural southwest Oregon." Readers will be taken on a
journey from the first Chautauqua tabernacle in the 1890s to the
First Annual Shakespearean Festival in 1935. Each of the five
chapters is given an introductory historical setting, while every
photo is provided an in-depth caption, placing that image in proper
perspective. Highlights include images of actors who went on to
film and TV, including George Peppard, Stacy Keach and William
Hurt. Much of the text is based on quotes from founder Angus
Bowmer, artistic director Jerry Turner, and other long-time company
members. Kathleen Leary, also known as Kit, has been OSF's
archivist for the last 24 years. She learned early on about history
in her native Wisconsin when her father stopped the car at every
historical marker along the way. Inspired, Kit received an MLS with
an Archives specialization from the University of Wisconsin in
1976, and an M.S. in Media Technology in 1977. She has worked all
over the country (and Algeria) for educational institutions,
historical societies, public libraries and for the Festival. Amy
Richard has spent twelve years as the media and communications
manager for the Festival. She grew up on the East Coast and in 1990
moved to Ashland, where she discovered that she really "is a West
Coast woman." Soon after moving here, she landed a job as Arts and
Entertainment Editor at the Ashland Daily Tidings. Through her
writings about the Festival and interviews with company members, as
well as attending many Festival performances, she fell in love with
the organization.
Oregon Shakespeare Festival is available at area bookstores,
independent retailers and online retailers or by going to
www.arcadiapublishing.com.
Title: Our Hometown Authors
Author: Alissa Lukara
Publisher: Ashland Magazine
Date: July 2009 We are such stuff as dreams are made on," says
Shakespeare's Prospero in The Tempest. Southern Oregon, with its
own Shakespeare festival, was also shaped by its early dreamers.
Dreamers such as those who brought lumber mills, the railroad and
other businesses to found Ashland; the tenacious visionary of the
Oregon Shakespeare Festival, Angus Bowmer; the dreamers who
surveyed the area and created the maps that paved the way for
settlers and more, as the following hometown authors can attest.
Co-authors Amy E. Richard and Kathleen F. Leary knew the time was
right for a book about the Oregon Shakespeare Festival (OSF).
Oregon is celebrating its 150th birthday and 2010 will mark OSF's
75th anniversary. "We wanted to showcase the festival's extensive
archives and include some of its history," said Richard, who has
been OSF's media and communications manager for 12 years. "Until
now, the archives have been mostly used internally and by
researchers, authors, teachers and Shakespeare scholars," added
Leary, OSF archivist since 1986. Oregon Shakespeare Festival
(Arcadia Publishing, 2009), scheduled for September publication,
includes 227 photos, presented chronologically, with captions.
Richard and Leary outlined what to highlight, then Leary and
volunteers searched the archives for photos and information.
Richard wrote the text, which also integrated past correspondence
and interviews with long-time OSFers including Richard Hay and
William and Shirley Patton. "Researching the book, I was struck by
the incredible commitment and devotion of founder Angus Bowmer and
of people involved with OSF and his dream--from the audiences to
the people who work here to members and volunteers," said Richard.
"We wanted to convey people's love for this place in the book." For
instance, the entire time Bowmer was producing director, he taught
full-time at the college. Remarkably, the festival was 100%
volunteer until post-WWII, when Bowmer received his first $1000
from Ashland. "One photo showed four women working in the box
office in the 1950's," said Leary. "All were actors, too, which
showed their deep dedication. I loved finding out about people's
long careers here working in different departments. Many of these
people helped us fact-check the accuracy of what we discovered and
find information in the fastest way. The book was a group
collaborative effort." For information: www.tudorguild.org or
www.arcadiapublishing.com.
Title: OSF in the history books Publisher: KTVL-10 News Date:
10/6/09
Ashland institution has produced a book with photos and words
outlining the theater group's storied history.
Watch the video here: http:
//video.ktvl.com/m/26735434/osf-in-the-history-books.htm
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