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'All we're waiting for, you and I, is for something nobody's seen before to wash up on these beaches. Something so special and unique that its power cannot be denied. And there is every hope it will happen today. Perhaps it's out there, even now, begging for its chance to upend our world . . .'
London, 1861: Ten-year-old Nell belongs to a crew of mudlarks who work a stretch of the Thames along the Ratcliffe Highway. An orphan since her mother died four years past, leaving Nell with only broken dreams and a pair of satin slippers in her possession, she spends her days dredging up coals, copper and pieces of iron spilled by the river barges - searching for treasure in the mud in order to appease her master, Benjamin Murdstone.
But one day, Nell discovers a body on the shore. It's not the first corpse she's encountered, but by far the strangest. Nearly seven feet tall, the creature has matted hair covering his legs, and on his head are the suggestion of horns. Nell's fellow mudlarks urge her to steal his boots and rifle his pockets, but as she ventures closer the figure draws breath and Nell is forced to make a decision which will change her life forever . . .
'All we're waiting for, you and I, is for something nobody's seen before to wash up on these beaches. Something so special and unique that its power cannot be denied. And there is every hope it will happen today. Perhaps it's out there, even now, begging for its chance to upend our world . . .'
London, 1861: Ten-year-old Nell belongs to a crew of mudlarks who work a stretch of the Thames along the Ratcliffe Highway. An orphan since her mother died four years past, leaving Nell with only broken dreams and a pair of satin slippers in her possession, she spends her days dredging up coals, copper and pieces of iron spilled by the river barges - searching for treasure in the mud in order to appease her master, Benjamin Murdstone.
But one day, Nell discovers a body on the shore. It's not the first corpse she's encountered, but by far the strangest. Nearly seven feet tall, the creature has matted hair covering his legs, and on his head are the suggestion of horns. Nell's fellow mudlarks urge her to steal his boots and rifle his pockets, but as she ventures closer the figure draws breath and Nell is forced to make a decision which will change her life forever . . .
Minotaur: Mythical. Monstrous. Misunderstood. Every story needs a hero and a villain.
Robert Dinsdale was born in North Yorkshire and currently lives in
Leigh-on-Sea.
He is the author of five previous critically acclaimed novels
including the bestselling The Toymakers, which was his first
venture into magic.
[An] imaginative mash-up of the mythical with Victorian gothic.
*The Times*
A wonderful magic trick of a story, full of very human monsters and
monstrous humans. Dinsdale is a beautiful, evocative story
teller.
*Stuart Turton, bestselling author of The Seven Deaths of
Evelyn Hardcastle*
Robert Dinsdale mixes history and mythology with great panache in
Once a Monster
*The Sunday Times Book of the Month (Nick Rennison's
historical fiction picks)*
What if the Minotaur survived, and followed Ariadne’s string out of
the twisting darkness of the labyrinth? From this thread, Dinsdale
spins an engaging yarn about dreams, second chances, and monsters
both ordinary and supernatural. The story flows as smoothly as the
waters of the Thames, and is just as dark and deep. Of note is
Dinsdale’s ability to turn a phrase, shimmering like fine crystal
held to the light. A dazzling and heartfelt book.
*Luna McNamara, author of Psyche and Eros*
An inventive and irresistible retelling of the legend of the
Minotaur.
*I News*
A labyrinthine delight of a novel where a world of Dickensian
darkness is infused with ancient myth. Historical writing at its
finest . . . unique, seductive, and accomplished.
*Essie Fox, bestselling author of The Somnambulist*
I was very moved by this story about shame, the costs of survival,
and being loved in all one’s brokenness. Minos makes perfect sense
as a character living at the margins in Victorian London, and the
different ways Nell searches for beauty in the dirt will stay with
me for a long time.
*Kate Mascarenhas, author of The Psychology of Time Travel
and Hokey Pokey*
Like the magic at the heart of the story, this vivid, haunting
novel is both vast and intimate. A wonderful and thought-provoking
read.
*Katherine Arden, author of The Winternight Series, on The
Toymakers*
Engaging and enchanting . . . a fairytale for adults, with all the
wonder – and terror – that that entails . . .
*Observer on The Toymakers*
Beautifully captures the hazy dissonance of storytelling and
invention
*Guardian on Paris by Starlight*
There is magic at the heart of The Toymakers, a glittery
inventiveness that shimmers through the dark corners of a story
about love, war and sibling rivalry . . . truly glorious . . . a
gripping, moving story
*Sunday Express on The Toymakers*
What an extraordinary and wonderful achievement this novel is! I
was gripped, and thrilled, and touched, and above all I was
completely swept into the magic of the book . . . Just
astonishing!
*Adam Roberts on The Toymakers*
Truly magical . . . Prepare to be charmed by this utterly
enchanting tale
*CultureFly on The Toymakers*
Magical
*Metro*
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