From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present.

As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America's most widely read and admired writer on art. In this book: nearly a hundred of his finest essays on the subject.

For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes-astute, vivid and uninhibited-on dozens of famous and not-so-famous artists. He observes that Caravaggio was "one of the hinges of art history; there was art before him and art after him, and they were not the same"; he remarks that Julian Schnabel's "work is to painting what Stallone's is to acting"; he calls John Constable's Wivenhoe Park "almost the last word on Eden-as-Property"; he notes how "distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his." He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic).

Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded. His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market-its inflated prices and reputations, its damage to the public domain of culture. There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate. And as a finale, Hughes gives us "The SoHoiad," the mock-epic satire that so amused and annoyed the art world in the mid-1980s.

A meteor of a book that enlightens, startles, stimulates and entertains.

ROBERT HUGHES was born in Australia in 1938 and has lived in Europe and the United States since 1964. Since 1970, he has been art critic for Time magazine. He has twice won the College Art Association's F.J. Mather Award for distinguished criticism. His books include The Art of Australia (1966), Heaven and Hell in Western Art (1969), and a chronicle of the settlement of Australia, The Fatal Shore (1987). His study of modern art, The Shock of the New (1981), is being reissued in an updated edition simultaneously with the publication of Nothing If Not Critical, Mr. Hughes lives in Manhattan and on Long Island.

Nothing If Not Critical - Robert Hughes Introduction: The Decline of the City of Mahagonny

Part One: Ancestors

Hans Holbein

Caravaggio

France in the Golden Age

Anthony Van Dyck

George Stubbs

Sir Joshua Reynolds

Goya

Zurbarán

Nicolas Poussin

Guido Reni

Inigo Jones

Jean-Siméon Chardin

John Constable

Antoine Watteau

Part Two: Nineteenth Century

German Romanticism

Edgar Degas

Courbet in Brooklyn

John Singer Sargent

Augustus Saint-Gaudens

Winslow Homer

James Whistler

Pre-Raphaelites

Camille Pissarro

Thomas Eakins

Part Three: Into Modernism

Toulouse-Lautrec

Auguste Rodin

Van Gogh and Cloisonnism

Édouard Manet

Henri Rousseau

Vincent van Gogh, Part 1

Vincent van Gogh, Part 2

Paul Gaugain

Part Four: Europeans

René Magritte

Vasily Kandinsky

Giorgio de Chirico

Julio Gonzalez

Max Beckmann

Henri Matisse in Nice

Futurism

English Art in the Twentieth Century

Oskar Kokoschka

Giorgio Morandi

Late Picasso

Part Five: Americans

Thomas Hart Benton

Deco and Fins

Morris Louis

Diego Rivera

David Smith, Sculptures

David Smith, Drawings

Lee Krasner

Milton Avery

Jackson Pollock

Arshile Gorky

Joseph Cornell

Edward Hopper

Norman Rockwell

Mark Rothko in Babylon

Andy Warhol

Part Six: Contemporaries

Saul Steinberg

James Turrell

R. B. Kitaj

Roy Lichenstein

Nam June Paik

Richard Diebenkorn

Komar and Melamid

Howard Hodgkin

Louise Bourgeois

Philip Pearlstein

Robert Motherwell

Sandro Chia

Malcolm Morley

Julian Schnabel

Jean-Michel Basquiat: Requiem for a Featherweight

Willem de Kooning

Francis Bacon

Francesco Clemente

James Rosenquist

Alex Katz

Susan Rothenberg

Anselm Kiefer

Elizabeth Murray

David Hockney

Donald Sultan

Leon Kossoff

Eric Fischl

Sean Scully

Christopher Wilmarth

Bernard Berenson

Tom Wolfe: From Bauhaus to Our House

Brideshead Redecorated

Jean Baudrillard: America

Art and Money

The SoHoiad: or, The Masque of Art

Index