Next year sees the 30th anniversary of The Blue Nile's first work together. Four albums - containing a total of just 33 songs - have followed since. Yet scarcity has served only to intensify love for the band's intensely romantic songs. Reclusive and enigmatic, The Blue Nile are one of modern music's greatest mysteries, as secretive about their plans and status as they are about their painstaking methods. For the first time Allan Brown, a fan from the time of the band's first album in 1983 and friend of the band's composer Paul Buchanan, gets behind the veil to analyse the band's agonisingly slow progress through personal memoir, critical study, access to unreleased recordings and encounters with those who have been central to the strange and elusive mythology of The Blue Nile.
Next year sees the 30th anniversary of The Blue Nile's first work together. Four albums - containing a total of just 33 songs - have followed since. Yet scarcity has served only to intensify love for the band's intensely romantic songs. Reclusive and enigmatic, The Blue Nile are one of modern music's greatest mysteries, as secretive about their plans and status as they are about their painstaking methods. For the first time Allan Brown, a fan from the time of the band's first album in 1983 and friend of the band's composer Paul Buchanan, gets behind the veil to analyse the band's agonisingly slow progress through personal memoir, critical study, access to unreleased recordings and encounters with those who have been central to the strange and elusive mythology of The Blue Nile.
Allan Brown was a writer and critic with the Scottish edition of The Sunday Times and author of Inside the Wicker Man, an acclaimed study of the cult British horror classic The Wicker Man. He lives in Glasgow.
'There is something magnificent about the sheer doggedness of The
Blue Nile's adherence to the unorthodox trajectory of their
singular career'
*The Guardian*
'The Blue Nile sound more like being in love than being in love
does'
*Melody Maker*
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