Adds a new name to the history of modern architecture:Architect Jean Welz, a lost artistic genius, lived a hidden life among many famous names: Le Corbusier, Adolf Loos, Robert Mallet-Stevens, Gabriel Guevrekian, Tristan Tzara (founder of Dada), and photographer André Kertész. Jean Welz could not register as an architect in France and worked “under the table,” so credit to him has had to be sleuthed out through letters, interviews, signed photographs, a portfolio, family archives, plans, and rare documents.
Endorsements by lead architectural scholars from universities in the UK, US and Europe, including Tim Benton, a Le Corbusier expert and Christopher Long, who has published at least a dozen books on Viennese modern architecture and Adolf Loos. A must acquisition for libraries and of interest to students.
Tale of discovery, intriguing for the everyday reader: A treasure hunt in the rich and radical artistic interwar period of the 1920s and 1930s in Paris that then travels across three countries and two continents over a decade of research. The book feels like a race against crumbling history told by a filmmaker in vivid detail as he uncovers Welz’s past, his musical and artistic abilities, and his greatest designs.
First use of exterior béton brut identified: Welz’s Maison Zilveli (Paris 1933) with its airborne main floor, views of Sacre Coeur and the Eiffel Tower, and the lost, perilous balcony, are bold ideas that will light up readers’ imaginations in this race against crumbling history. The concrete balcony balanced on a thin blade only 6 cm thick, is the first use of exterior béton brut identified.
Illustrations and book design: spot color washes, tints, and highlighted text using period fonts, color plates. 3-D renderings and axonometric schemes visually bring the architecture to life. Plans and sketches of unbuilt projects, treatises on art published in South Africa, and period magazine articles provide important context. Fine examples of Welz’s paintings included, linking his abstract works to his philosophy of architecture.
Controversies provide press hooks: South Africa’s leading modern architect Rex Martiennsen took unacknowledged cues from a Welz Paris house to create his best-known design, though at least one of Martiennsen’s colleagues publicly questioned his influences. Jean Welz’s estranged brother Friedrich Welz was an infamously unscrupulous art dealer in Vienna and an SS officer, made famous in the 1997 Holocaust restitution case over a set of stolen Egon Schiele works. Major Aryanization art-theft scandals of the late 1990s involving Friedrich erupted in the New York Times and U.S. District Court.
Jewish interest story: Jean Welz was a radical who moved from conservative, fusty Vienna and changed his name from Hans to Jean when he discovered his “French soul.” His first wife was a Jewish fashion model. An artist with contrasting passions to those of his dealer brother, Jean’s contributions include a gravestone for Marx’s daughter, destroyed by Nazis the day after Paris was occupied in 1940, and freely giving his skills for a Black South African school under Apartheid. Jean died never knowing about his estranged brother’s Nazi-dealings.
Show moreAdds a new name to the history of modern architecture:Architect Jean Welz, a lost artistic genius, lived a hidden life among many famous names: Le Corbusier, Adolf Loos, Robert Mallet-Stevens, Gabriel Guevrekian, Tristan Tzara (founder of Dada), and photographer André Kertész. Jean Welz could not register as an architect in France and worked “under the table,” so credit to him has had to be sleuthed out through letters, interviews, signed photographs, a portfolio, family archives, plans, and rare documents.
Endorsements by lead architectural scholars from universities in the UK, US and Europe, including Tim Benton, a Le Corbusier expert and Christopher Long, who has published at least a dozen books on Viennese modern architecture and Adolf Loos. A must acquisition for libraries and of interest to students.
Tale of discovery, intriguing for the everyday reader: A treasure hunt in the rich and radical artistic interwar period of the 1920s and 1930s in Paris that then travels across three countries and two continents over a decade of research. The book feels like a race against crumbling history told by a filmmaker in vivid detail as he uncovers Welz’s past, his musical and artistic abilities, and his greatest designs.
First use of exterior béton brut identified: Welz’s Maison Zilveli (Paris 1933) with its airborne main floor, views of Sacre Coeur and the Eiffel Tower, and the lost, perilous balcony, are bold ideas that will light up readers’ imaginations in this race against crumbling history. The concrete balcony balanced on a thin blade only 6 cm thick, is the first use of exterior béton brut identified.
Illustrations and book design: spot color washes, tints, and highlighted text using period fonts, color plates. 3-D renderings and axonometric schemes visually bring the architecture to life. Plans and sketches of unbuilt projects, treatises on art published in South Africa, and period magazine articles provide important context. Fine examples of Welz’s paintings included, linking his abstract works to his philosophy of architecture.
Controversies provide press hooks: South Africa’s leading modern architect Rex Martiennsen took unacknowledged cues from a Welz Paris house to create his best-known design, though at least one of Martiennsen’s colleagues publicly questioned his influences. Jean Welz’s estranged brother Friedrich Welz was an infamously unscrupulous art dealer in Vienna and an SS officer, made famous in the 1997 Holocaust restitution case over a set of stolen Egon Schiele works. Major Aryanization art-theft scandals of the late 1990s involving Friedrich erupted in the New York Times and U.S. District Court.
Jewish interest story: Jean Welz was a radical who moved from conservative, fusty Vienna and changed his name from Hans to Jean when he discovered his “French soul.” His first wife was a Jewish fashion model. An artist with contrasting passions to those of his dealer brother, Jean’s contributions include a gravestone for Marx’s daughter, destroyed by Nazis the day after Paris was occupied in 1940, and freely giving his skills for a Black South African school under Apartheid. Jean died never knowing about his estranged brother’s Nazi-dealings.
Show moreEndorsements by leading architectural scholars
International Print and Broadcast Campaign
Social Media Campaign
Targeted outreach to art and architecture bookstores and libraries
Unique cover and book design appeals to art magazines and bookstores
Promotion through the Society of Architectural Historians/Southern California Chapter
DRCs available through Edelweiss
ARCs available upon request
The Mystery of Jean Welz
Part I: Invisible
Jean Welz Does Not Exist
Le Château Moche — Paris, Christmas Day 2012
The Tradouw Pass — 1940
Part II: Vienna
Finis Austriae — Vienna, October 1918
Josef Hoffmann and The First Wave
Adolf Loos and the Second Wave
Hans Welz Architect
Part III: Paris
Art Deco — Paris, 1925
The Guevrekian Letter
The Third Man Mallet-Stevens / Le Corbusier / Jean Welz
Raymond Fischer
Le Chemin Aérien / The Aerial Way
“Un Nègre Viennois”
Part IV: Oeuvre
The Portfolio
House for an Artist
Inondation — Montauban, 1931
Maison Landau A Minimum House
Villa Darmstadter —1932
Oswald Haerdtl — 1932
Maison Zilveli — 1933
Mont D’Or and Pavillon D’Autriche The Unbuilt
Part V: Tales
A Tale of Two Balconies
A Tale of Two Brothers The Dealer and the Artist
Corbusier’s Note
The Martienssen Affair
A Tale of Three Monuments
Part VI: Jean
House on the Lake
The Dialogues of Jean Welz
Pains and Pleasures of Anonymity
A Solitary Adventure The Character of Jean Welz
Christensen Gallery Inger Welz
Zilveli Destroyed
Appendices
After Architecture South Africa Addendum
Bibliography
Index
Acknowledgments
Plates
Peter Wyeth has been making films since the 1970s, including several with the Arts Council of Great Britain, one of which about a modernist block of flats in London, inspired by Hokusai ("12 Views of Kensal House") was runner-up for best documentary. He started a forgotten film-mag North by North West, and in 1994 directed "The Diary of Arthur Crew Inman," based on the 17-million-word and longest diary in America and named a London Times "Film of the Week." From 19992003, Wyeth was head of the film school at University of the Arts London, where he taught for ten years and set up the student-run channel Xplore.tv. His short film "Pane" won a Turner Classic Movies award in 2003. His book The Matter of Vision: Effective Neurobiology and Cinema was published by Indiana University Press in 2015 (in the UK by John Libbey Media) and over the past twelve years he has written dozens of articles on architecture and design for The Modernist. He continues to direct, including for television. He lives between Paris and London.
Peter Wyeth has masterfully charted architect Jean Welz’s work and trajectory from Vienna to Paris and South Africa, as well as his contacts with remarkable clients, colleagues, artists and photographers. He has at last paid homage to his striking designs, such as the Zilveli villa built in Paris in 1933, which deserves to be inscribed in the narrative of European Modernism. —Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York UniversityKnown, if at all, as a much-admired painter in South Africa in the mid-twentieth century, Jean Welz's complex architecture career is now marvelously pieced together for the first time. —Robin Middleton, professor Emeritus, Department of Art History and Archaeology, Columbia UniversityPeter Wyeth's really marvelous book uncovers a highly gifted modernist unknown to the public, whose architecture absorbed the most important ideas of Loos and Le Corbusier. As a filmmaker, Wyeth combines a sharp analysis of Europe's artistic movements between the two wars with refreshing personal insights to create a fascinating portrait that is both fluid and easy to read. —Burkhardt Rukschcio, author of Adolf Loos: Leben und WerkOne of the last testimonies of modernism in intramural Paris is the the Maison Zilveli by the Viennese architect Jean Welz, near Adolf Loos and the Roche du Corbusier house. […] British filmmaker Peter Wyeth, very involved in the preservation of the house, explains that “it is very rare to have a modernist house that has remained unchanged: it is a real case study.” —Le Journal des Arts Jean Welz and his architecture do exist! Let's hope his architecture survives and defies ignorance. — Richard Klein, architect, professor, chair of docomomo FrancePeter Wyeth is to be commended not only for rediscovering Jean Welz and his work but also for reconstructing the network of interactions, innovations and transmission of ideas that constitute the real history of architecture. —Tim Benton, professor and author of The Villas of Le Corbusier and Pierre Jeanneret 1920–1930This vivid and remarkable excavation of the life and work of the Viennese-born architect Jean Welz is a splendid contribution to the history of modernism. Welz was closely connected with two of the titans of the age, Le Corbusier and Adolf Loos, but, even more, he was an excellent architect, whose work was sensitive, beautiful, and inventive. Wyeth tells his story well, bringing known aspects of the tale of modern architecture into sharper focus, while adding much that is new. —Christopher Long, professor, University of Texas at Austin and author of The New Space: Movement and Experience in Viennese Modern Architecture
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