Hardback : $78.25
When Lady in the Dark opened on January 23, 1941, its many firsts immediately distinguished it as a new and unusual work. The curious directive to playwright Moss Hart to complete a play about psychoanalysis came from his own Freudian psychiatrist. For the first time since his brother George's death, Ira Gershwin returned to writing lyrics for the theater. And for émigré composer Kurt Weill, it was a crack at an opulent first-class production. Together Hart, Gershwin, and Weill (with a little help from the psychiatrist) produced one of the most innovative works in Broadway history. With a company of 101 and an astronomical budget, Lady in the Dark launched the career of a young nightclub performer named Danny Kaye and starred Gertrude Lawrence in the greatest triumph of her career. With standees at many performances, Lady in the Dark helped establish the practice of advance ticket sales on the Great White Way, while Paramount Pictures' bid for the film rights broke all records. New York Times drama critic Brooks Atkinson hailed the production as "splendid," anointed Kurt Weill 'the best writer of theatre music in the country,' and worshiped Gertrude Lawrence as "a goddess." Though Lady in the Dark was a smash-hit, it has never enjoyed a Broadway revival, and a certain mystique has grown up around its legendary original production. In this ground-breaking biography, bruce mcclung pieces together the musical's life story from sketches and drafts, production scripts, correspondence, photographs, costume and set designs, and thousands of clippings from the star's personal scrapbooks. He has interviewed eleven members of the original company to provide a one-of-a-kind glimpse into the backstage story. The result is a virtual ticket to opening night, the saga of how this musical play came to be, and the string of events that saved the experimental show at every turn. Although America was turned upside down by Pearl Harbor after the production was on the boards, Lady in the Dark played an important role for the war effort and rang up performances in 12 cities. In what may be the most illuminating study of a single Broadway musical, this biography brings Lady in the Dark back to the spotlight and puts readers in the front row.
Bruce D. Mcclung, a native of California's Mojave Desert, teaches American and European music history at the University of Cincinnati's College-Conservatory of Music.
Show moreWhen Lady in the Dark opened on January 23, 1941, its many firsts immediately distinguished it as a new and unusual work. The curious directive to playwright Moss Hart to complete a play about psychoanalysis came from his own Freudian psychiatrist. For the first time since his brother George's death, Ira Gershwin returned to writing lyrics for the theater. And for émigré composer Kurt Weill, it was a crack at an opulent first-class production. Together Hart, Gershwin, and Weill (with a little help from the psychiatrist) produced one of the most innovative works in Broadway history. With a company of 101 and an astronomical budget, Lady in the Dark launched the career of a young nightclub performer named Danny Kaye and starred Gertrude Lawrence in the greatest triumph of her career. With standees at many performances, Lady in the Dark helped establish the practice of advance ticket sales on the Great White Way, while Paramount Pictures' bid for the film rights broke all records. New York Times drama critic Brooks Atkinson hailed the production as "splendid," anointed Kurt Weill 'the best writer of theatre music in the country,' and worshiped Gertrude Lawrence as "a goddess." Though Lady in the Dark was a smash-hit, it has never enjoyed a Broadway revival, and a certain mystique has grown up around its legendary original production. In this ground-breaking biography, bruce mcclung pieces together the musical's life story from sketches and drafts, production scripts, correspondence, photographs, costume and set designs, and thousands of clippings from the star's personal scrapbooks. He has interviewed eleven members of the original company to provide a one-of-a-kind glimpse into the backstage story. The result is a virtual ticket to opening night, the saga of how this musical play came to be, and the string of events that saved the experimental show at every turn. Although America was turned upside down by Pearl Harbor after the production was on the boards, Lady in the Dark played an important role for the war effort and rang up performances in 12 cities. In what may be the most illuminating study of a single Broadway musical, this biography brings Lady in the Dark back to the spotlight and puts readers in the front row.
Bruce D. Mcclung, a native of California's Mojave Desert, teaches American and European music history at the University of Cincinnati's College-Conservatory of Music.
Show morePrologue
1: Opening Night
2: Genesis
3: Musical Score
4: Tryout
6: Broadway Run
7: Tour
8: Cultural Context
9: Revivals
Epilogue
Selected Bibliography and Discography
bruce d. mcclung, a native of California's Mojave Desert, teaches American and European music history at the University of Cincinnati's College-Conservatory of Music.
BReviews of the Musical
"The American stage may as well take a bow this morning. For Lady
in the Dark uses the resources of the theatre magnificently and
tells a compassionate story triumphantly." --Brooks Atkinson, New
York Times
"Lady in the Dark demonstrates with fine conclusiveness that Miss
Gertrude Lawrence is the greatest feminine performer in the
theater."--Richard Watts, Jr., New York Herald Tribune
"For both as an example of stagecraft at its most breath-taking,
and as an invitation to a performance by Gertrude Lawrence which is
incredible in its virtuosity, Lady in the Dark is little short of
miraculous."--John Mason Brown, New York Post
Praise for Lady in the Dark: Biography of a Musical by bruce d.
mcclung
"mcclung illustrates both the significance of Lady in the Dark as
an inventive musical and the specifically modern nature of its
themes."--Diana Calderazzo, Theatre Journal
"Highly valuable to scholars, students and fans of musical theatre,
this book offers a prototype for how future 'biographies' of other
shows might be written.... In considering the show through over 65
years of developments and production history the full 'life' of
this musical is given real dpth."--Studies in Musical Theatre
"mcclung's book is a satisfying, well-organized, and very thorough
study of a musical that will hopefully nudge Broadway scholarship
in a new direction."--Elmar Juchem, American Music
"A fine piece of work that should help nudge studies of the
Broadway musical in significant new directions by proving the
benefits of careful attention to sources and contexts."--Tim
Carter, Kurt Weill Newsletter
"mcclung has written an absorbing account of virtually every detail
that went into the making of an innovative show. Filled with clear
musical and dramatic descriptions, his exhaustively documented
account of Lady in the Dark traces not only the portrayal of
psychotherapy and gender identity on the musical stage, but also
the evolution of attitudes to musical theater itself during the
middle of the twentieth century."--Thomas Riis, University of
Colorado at Boulder
"bruce mcclung engagingly illuminates Lady in the Dark as it
evolved from Moss Hart's real-life sessions with noted psychiatrist
Dr. Lawrence Kubie into Hart's historic theatrical collaboration
with Ira Gershwin and Kurt Weill, a tour de force for its legendary
first lady Gertrude Lawrence. Thanks to mcclung, we are no longer
in the dark about the artistic meaning and rich cultural context of
this fascinating and timely show, which captivated America's
attention and left an enduring but previously unexplored
legacy."--Geoffrey Block, University of Puget Sound
"mcclung is adept at chronicling Broadway's glamour and the
backstage idiosyncrasies of its stars. Given Lady's size--and the
demands of its lead--there has yet to be a Broadway revival. His
book is the next best thing."--Debra Griboff, Encore Magazine
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