Looking at the writing of three significant Irish expatriates, Nels Pearson challenges conventional critical trends that view their work as either affirming Irish anti-colonial sentiment or embracing international identity. In reality, he argues, these writers constantly work back and forth between a sense of national belonging that remains incomplete and ideas of human universality tied to their new global environments. For these and many other Irish writers, national and international concerns do not conflict, but overlap-and the interplay between them motivates Irish modernism.
According to Pearson, Joyce's Ulysses strives to articulate the interdependence of an Irish identity and a universal perspective; Bowen's exiled, unrooted characters are never firmly rooted in the first place; and in Beckett, the unsettled origin is felt most keenly when it is abandoned for exile. These writers demonstrate the displacement felt by many Irish citizens in an ever-changing homeland unsteadied by long and turbulent decolonization. Searching for a sense of place between national and global abstractions, their work displays a twofold struggle to pinpoint national identity while adapting to a fluid cosmopolitan world.
Looking at the writing of three significant Irish expatriates, Nels Pearson challenges conventional critical trends that view their work as either affirming Irish anti-colonial sentiment or embracing international identity. In reality, he argues, these writers constantly work back and forth between a sense of national belonging that remains incomplete and ideas of human universality tied to their new global environments. For these and many other Irish writers, national and international concerns do not conflict, but overlap-and the interplay between them motivates Irish modernism.
According to Pearson, Joyce's Ulysses strives to articulate the interdependence of an Irish identity and a universal perspective; Bowen's exiled, unrooted characters are never firmly rooted in the first place; and in Beckett, the unsettled origin is felt most keenly when it is abandoned for exile. These writers demonstrate the displacement felt by many Irish citizens in an ever-changing homeland unsteadied by long and turbulent decolonization. Searching for a sense of place between national and global abstractions, their work displays a twofold struggle to pinpoint national identity while adapting to a fluid cosmopolitan world.
Nels Pearson, professor of English and director of the Program in Irish Studies at Fairfield University, is coeditor of Detective Fiction in a Postcolonial and Transnational World.
Clearly written, convincingly argued, and transformative.”—Nicholas
Allen, author of Modernism, Ireland and Civil War
“Goes beyond ‘statism’ and postnationalism toward a cosmopolitics
of Irish transnationalism in which national belonging and national
identity are permanently in transition.”—Gregory Castle, author of
The Literary Theory Handbook
“Shows how three important Irish writers crafted forms of
cosmopolitan thinking that spring from, and illuminate, the painful
realities of colonialism and anti-colonial struggle.”—Marjorie
Howes, author of Colonial Crossings: Figures in Irish Literary
History
“Asserting the simultaneity of national and global frames of
reference, this illuminating book is a fascinating and timely
contribution to Irish Modernist Studies.”—Geraldine Higgins, author
of Heroic Revivals from Carlyle to Yeats
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