British cinema has been around from the very birth of motion pictures, from black-and-white to color, from talkies to sound, and now 3D, it has been making a major contribution to world cinema. Many of its actors and directors have stayed at home but others ventured abroad, like Charlie Chaplin and Alfred Hitchcock. Today it is still going strong, the only real competition to Hollywood, turning out films which appeal not only to Brits, just think of Bridget Jones, while busily adding to franchises like James Bond and Harry Potter.
So this Historical Dictionary of British Cinema has a lot of ground to cover. This it does with over 300 dictionary entries informing us about significant actors, producers and directors, outstanding films and serials, organizations and studios, different films genres from comedy to horror, and memorable films, among other things. Two appendixes provide lists of award-winners. Meanwhile, the chronology covers over a century of history. These parts provide the details, countless details, while the introduction offers the big story. And the extensive bibliography points toward other sources of information.
British cinema has been around from the very birth of motion pictures, from black-and-white to color, from talkies to sound, and now 3D, it has been making a major contribution to world cinema. Many of its actors and directors have stayed at home but others ventured abroad, like Charlie Chaplin and Alfred Hitchcock. Today it is still going strong, the only real competition to Hollywood, turning out films which appeal not only to Brits, just think of Bridget Jones, while busily adding to franchises like James Bond and Harry Potter.
So this Historical Dictionary of British Cinema has a lot of ground to cover. This it does with over 300 dictionary entries informing us about significant actors, producers and directors, outstanding films and serials, organizations and studios, different films genres from comedy to horror, and memorable films, among other things. Two appendixes provide lists of award-winners. Meanwhile, the chronology covers over a century of history. These parts provide the details, countless details, while the introduction offers the big story. And the extensive bibliography points toward other sources of information.
Alan Burton initially taught at De Montfort University before
moving to Klagenfurt University in Austria. He has also written
extensively, including books on directors, and is presently on the
editorial board of Journal of British Cinema and Television.
Steve Chibnall is an exceptionally experienced film historian who
is director of De Montfort University’s Cinema and Television
History Research Centre and curator of several archives. He has
been teaching British cinema for decades already and produced
numerous articles and longer works during this time.
Part of the 'Historical Dictionaries of Literature and the Arts'
series, this work by Burton (Klagenfurt Univ., Austria) and
Chibnall (De Montfort Univ., UK) features brief essays, ranging
from half a page to upwards of five pages, covering the lively and
innovative record of British film art, production, and industry.
The volume opens with a useful chronology of British cinema,
beginning in 1888 and running through January 2012. The bulk of the
book's contents comprise the extensively cross-referenced essays
that cover directors, writers, producers, actors, films, series,
characters, genres, studios, and other organizations involved in
British film. The 300-plus entries are prefaced by a list of
acronyms and abbreviations. Appendixes include chronological lists
of the British Academy of Film and Television Arts Annual Awards,
beginning in 1948; and the Evening Standard British Film Awards,
starting in 1974. The book closes with a lengthy bibliography
subdivided into thematic areas. The short essays are easy to read,
but are nevertheless filled with historical facts and academic
insight. Burton and Chibnall are established authorities on British
film, with extensive records of academic publishing on film
history. Summing Up: Recommended. Lower-level undergraduates
through researchers.
*CHOICE*
The British film industry, one of the world's oldest, has gone
through periods of boom and bust. Two eminently qualified
specialists, Chibnall, who owns a private collection of thousands
of pieces of British film, and Burton, who's written extensively on
silent film and directors, here describe that tortuous history
beginning with a detailed chronology and following with an overview
and then a dictionary section on outstanding actors, producers,
directors, organizations, and studios. Among recent helpful signs,
according to the authors, are lottery funding and a reputation for
heritage films and literary adaptations. Lists of awards and an
exhaustive bibliography complete this outstanding work.
*Library Journal*
Until now, students and scholars interested in the broad scope of
British cinemas had few collected sources to begin their research.
. . .Together Alan Burton and Steve Chibnall have created a work of
broad historical synthesis. Coupled with a chronology, a detailed
and thorough introduction contextualizes Britain’s film industry
within the historical confines of both national and global issues.
Entries are arranged alphabetically and mostly consist of four
categories: film studio, actor, film, and genre. However, broader
entries such as 'women' and 'gay and lesbian issues' fill out the
sociocultural development of identity within British cinema.
Although varying in length, each entry averages three paragraphs.
Moreover, to facilitate searching, phrases with individual entries
are highlighted in bold and cross-referenced. Two appendixes are
included in the dictionary: British Academy of Film and Television
Arts Annual Awards, and the Evening Standard British Film Awards. .
. .Ranging from silent cinema to individual journals, this robust
bibliography reflects the deep subject knowledge both editors bring
to the compilation. Overall, this dictionary is constructed for
both the novice and expert. Students will inevitably thumb to the
entry on Harry Potter, while scholars will devour the bibliography
on Derek Jarman.
*American Reference Books Annual*
[T]his is an engaging overview of British film which demonstrates
how much this industry has contributed to worldwide cinema, and how
it reflects British society and the British psyche. It would be of
use not only in humanities and film collections but also a good
read for all film fans.
*s*
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