An absorbing adult novel from this much-loved writer of YA fiction.
Mandy Hager has been awarded the Katherine Mansfield Menton
fellowship for 2014, and she was the 2012 recipient of the New
Zealand Society of Authors Beatson Fellowship. She won the Esther
Glen Award for Fiction for her YA novel Smashed and Best Young
Adult Book in the NZ Post Book Awards 2010 for The Crossing. The
Nature of Ash won the LIANZA YA Fiction Award in 2013 and was
shortlisted for the 2013 NZ Post Children's Book Awards. In 2015
her novel Singing Home the Whale was awarded a Storylines Notable
Book Award; was a finalist for the LIANZA YA Fiction award; it won
the YA category of the New Zealand Book Awards for Children and
Young Adults; and was named the 2015 Margaret Mahy Book of the
Year. Singing Home the Whale was described by the judges as a novel
that "should be compulsory reading in any country that still hunts
whales." Her adult novel, Heloise, was longlisted for the Ockham
New Zealand Book Awards in 2018. In 2019 she was awarded the
prestigious Storylines Margaret Mahy Medal.
Hager has an MA in Creative Writing from Victoria University and an
Advanced Diploma in Applied Arts (Writing) from Whitireia Community
Polytechnic, where she now works as a tutor and mentor. She lives
with her partner on the Kapiti Coast.
She has written novels for adults and young adults, short stories,
scripts, and non-fiction resources for young people.
See more at www.mandyhager.com, and on her Facebook pages for the
Blood of the Lamb trilogy and for The Nature of Ash.
Internationally acclaimed writer Margaret Mahy proclaimed The
Crossing as being like '1984 for teenagers - direct, passionate and
powerful', while in the Otago Daily Times children's writer and
reviewer Tania Roxborogh similarly drew comparisons between this
'important book' and other literary classics, declaring it 'utterly
compelling . . . very much in the vein of Atwood's The Handmaid's
Tale or Lowry's The Giver'. The New Zealand Listener identified The
Crossing as 'classic young adult fiction', describing it as
'fast-paced, moving and the personal is always political . . . .
tracking the journey from childhood to adulthood . . . with an
authentic, fully realised sense of place'. The second title in the
Blood of the Lamb trilogy, Into the Wilderness, was described by
the Listener as a 'sustained, gripping piece of writing, a visceral
battle against the elements'. The trilogy concluded with the
'gripping, futuristic'Resurrection.
Stand-alone thriller The Nature of Ash received a glowing review
from Zac Harding of Christchurch City Library- 'Mandy Hager has set
a new standard in thrilling, action-packed stories for NZ teens
with her new book, The Nature of Ash, and I'll say it can proudly
stand alongside these international, best-selling dystopian
thrillers . . . The Nature of Ash is an exciting, explosive,
action-packed thriller that had me on the edge of my seat from
start to finish . . . Ash is one of the most authentic male teen
characters in New Zealand fiction. '
Graham Beattie on Beattie's Blog, concurred- 'It is not often you
would describe a YA novel as a blockbuster but in this case it is
totally appropriate . . . This 364-page totally gripping
Wellington-set thriller has been getting rave reviews around the
country and now having read the story myself I am not at all
surprised. Action-packed, fast-paced stuff . . . Watch out for it
in next year's book awards. '
Pip Cole in Tearaway declared herself 'enthralled', while Diane
McCarthy commended the real, contemporary settings of this
'political . . . futuristic' novel, saying they gave 'some real
grit and realism'. She praised Hager for being 'very brave' - 'I
don't know of many authors who write political thrillers for teens.
'
The Saturday Express saw The Nature of Ash as having wider appeal
than the average teen novel, 'part coming-of-age novel, part future
warning of where we could end up, politically and socially'. The
reviewer noted the 'strong underlying themes of accepting those who
are different, standing up for what you believe is important, and
self-acceptance', concluding 'Hager could well be New Zealand's
answer to Aussie writer John Marsden'.
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