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Gods of Want
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About the Author

K-Ming Chang is a Kundiman fellow, a National Book Foundation 5 Under 35 honoree and an O. Henry Prize winner. She is the author of the novel Bestiary, which was longlisted for the Center for Fiction First Novel Prize, and Gods of Want, which won the Lambda Literary Award.

Reviews

Alert to the ways reality can buckle and contort, Chang conjures fiction that is almost fairytale-like, mythical, unsettling - yet at the same time blisteringly alive and unapologetically queer
*Guardian*

These stories glitter and pulse
*DANTIEL W. MONIZ, author of Milk Blood Heat*

A voracious, probing collection, proof of how exhilarating the short story can be... Each one is possessed of a powerful hunger, a drive to metabolize the recognizable features of a familiar world and transform them into something wilder, and achingly alive
*New York Times Book Review*

Constantly illuminating and thoroughly astounding... a stunning and moving work by one of our most brilliant authors.
*BRYAN WASHINGTON, author of Lot and Memorial*

These stories by the Taiwanese American author of the gutsy 2020 debut novel Bestiary are obsessed with the vagaries of emigration and adolescence. Populated by ghosts and spirits, they dissolve the rigidities of American life into a slipstream of folkloric myth and transform the familiar world into something wilder.
*New York Times*

To read K-Ming Chang is to see the world in fresh, surreal technicolor... Both wild and lyrical, visionary and touching. Read her!
*SHARLENE TEO, author of Ponti*

Ferociously talented
*JUSTIN TORRES, author of We the Animals*

A whole body experience.
*THEM*

No one writes like K-Ming Chang. Wise, energetic, funny, and wild, Gods of Want displays a boundless imagination anchored by the weight of ancestors and history. These stories sing, a true force to behold.
*KALI FAJARDO-ANSTINE, author of Sabrina and Corina*

In the genre of feminine madness, these stories are to be worshipped. They are fearless, hysterical, violent yet full of grace. Each sentence escalates toward devastating, poetic insight about our bodies, about cultural demands both treasured and feared, and about what makes being alive a terror and a joy.
*VENITA BLACKBURN, author of How to Wrestle a Girl*

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