Poetry. Susan Terris is a poet of tensile, particular language and fearless investigation. In this far-reaching book, Terris's gifts of superb observation and word-craft turn in multiple directions--into the myths, stories and realities of childhood; into the myths, stories and rendered lives of figures from science, history, and the arts; into the myths, stories, and (sur)realities of personal experience. This book holds the manyness of selves, both intimate and enlarging; it is also a book of connection, world witness, self-witness, and imaginative expansion.--Jane Hirshfield
Poetry. Susan Terris is a poet of tensile, particular language and fearless investigation. In this far-reaching book, Terris's gifts of superb observation and word-craft turn in multiple directions--into the myths, stories and realities of childhood; into the myths, stories and rendered lives of figures from science, history, and the arts; into the myths, stories, and (sur)realities of personal experience. This book holds the manyness of selves, both intimate and enlarging; it is also a book of connection, world witness, self-witness, and imaginative expansion.--Jane Hirshfield
Susan Terris is a freelance editor and the author of 8 books of poetry, 17 chapbooks, 3 artist's books, and 2 plays. Her new book is Green Leaves, Unseeing. Recent books & 3 0f the chapbooks are: Dream Fragments (Swan Scythe Press: Winner) 2020, Familiar Tense (Marsh Hawk) 2019,Take Two: Film Studies (Omnidawn) 2017, Memos (Omnidawn) 2015; and Ghost of Yesterday: New & Selected Poems (Marsh Hawk) 2012. Journals include The Southern Review, Georgia Review, Prairie Schooner, Beloit Poetry Journal, Blackbird, and Ploughshares. Poems of hers have appeared in Pushcart Prize and Best American Poetry. Ms. Terris is editor emerita of Spillway Magazine and a poetry editor at Pedestal. www.susanterris.com
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