One-way ticket to death . . .? 'Hughes is the master we keep turning to' Sara Paretsky'The tension and terror of Dread Journey are such that few will be able to lay the book down unfinished' New York Times'Cornell Woolrich meets Agatha Christie' Publishers Weekly'Superbly done' Washington PostIn the four years since she arrived in Los Angeles, Kitten Agnew has become a star. Not all by herself, of course; though beautiful and talented, Kitten would be lost without her director, the acclaimed and powerful Vivien Spender. But Spender is a dangerous man. Kit knows that, and has heard all the stories - of discarded stars that have ended up in a chorus line, or a sanatorium, or worse.Spender knows that Kit knows, and wouldn't dare destroy her glittering career. But he may be willing to kill her . . .On a train from LA to Chicago, Kit makes a discovery that could have her fighting not just for her career, but for her life.
One-way ticket to death . . .? 'Hughes is the master we keep turning to' Sara Paretsky'The tension and terror of Dread Journey are such that few will be able to lay the book down unfinished' New York Times'Cornell Woolrich meets Agatha Christie' Publishers Weekly'Superbly done' Washington PostIn the four years since she arrived in Los Angeles, Kitten Agnew has become a star. Not all by herself, of course; though beautiful and talented, Kitten would be lost without her director, the acclaimed and powerful Vivien Spender. But Spender is a dangerous man. Kit knows that, and has heard all the stories - of discarded stars that have ended up in a chorus line, or a sanatorium, or worse.Spender knows that Kit knows, and wouldn't dare destroy her glittering career. But he may be willing to kill her . . .On a train from LA to Chicago, Kit makes a discovery that could have her fighting not just for her career, but for her life.
Dorothy B. Hughes was an acclaimed crime novelist and literary critic, her style falling into the hard-boiled and noir genres of mystery writing. Born in Kansas City, she studied journalism at the University of Missouri, and her initial literary output consisted of collections of poetry. Hughes' first mystery novel, The So Blue Marble, was published in 1940 and was hailed as the arrival of a great new talent in the field. Her writing proved to be both critically and commercially successful, and three of her novels - The Fallen Sparrow, Ride the Pink Horse and In a Lonely Place - were made into major films. Hughes' taught, suspenseful detective novels are reminiscent of the work of Elisabeth Sanxay Holding and fellow The Murder Room author Margaret Millar. In 1951, Hughes was awarded an Edgar award for Outstanding Mystery Criticism and, in 1978, she received the Grand Master award from the Mystery Writers of America. She died in Oregon in 1993.
Hughes is the master we keep turning to
*Sara Paretsky*
If you wake up screaming with terror don't say we didn't warn
you
*NEW YORK TIMES REVIEW OF BOOKS*
Every sentence is suffused with dread
*LOS ANGELES REVIEW OF BOOKS*
Cornell Woolrich meets Agatha Christie in this taut, grim
reissue
*PUBLISHERS WEEKLY starred review*
Beautifully told
*NEW YORKER*
Superbly done
*WASHINGTON POST*
An author with a flair for terror
*NEW YORKER*
The perfect in-flight read
*KIRKUS*
Hughes didn't just pre-date Jim Thompson, she also pre-dated
Patricia Highsmith, Ruth Rendell, and other so-called Masters of
Psychological Suspense or Noir. And her writing style stands up to
the test of time
*Bookslut*
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