About the Author

Novotny Lawrence is an associate professor of cinema and media studies at Indiana University and the editor-in-chief of The Journal of Popular Culture. His research primarily centers on African American cinematic and mediated experiences, race, and popular culture. He has authored a book and co-edited an anthology on Blaxploitation Cinema and has also has published journal articles and book chapters on Black Dynamite and parody, African American religious iconography in Good Times, C.S.A.: The Confederate States of America, and the Blaxploitation-themed film, Detroit 9000.

Reviews

“Bridging the gap between often ignored black history and documentary film Novotny Lawrence brings together insightful articles from academics and practicing filmmakers. An overdue and much-needed anthology for the fields of documentary and black studies.”—Christine Acham, University of Southern California; “Lawrence presents a collection of straightforward essays on non-narrative cinema that documents pivotal moments in the African American struggle for civil rights. From its account of The Scottsboro Boys’ case to the discussion of Jack Johnson in Unforgivable Blackness, to the analysis of Shirley Clarke’s avant-garde character study, A Portrait of Jason, this volume calls attention to several important, but lesser known, films made in the documentary tradition. It will make a useful addition to classrooms and everyday conversations in which we try to reconstruct the tragedy and trials faced by historical subjects like Emmett Till and Dorothy Dandridge, or the difficulties faced by young people growing up in violent neighborhoods.”—Mia Mask, Vassar College, author of Divas on Screen: Black Women in American Film.