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In a world where our lives are increasingly mediated by technologies it is surprising that more attention is not paid to the work of Gilles Deleuze. This is especially strange given Deleuze's often explicit focus and reliance on the machine and the technological. This volume offers readers a collective and determined effort to explore not only the usefulness of key ideas of Deleuze in thinking about our new digital and biotechnological future but, also aims to take seriously a style of thinking that negotiates between philosophy, science and art.This exciting collection of essays will be of relevance not only to scholars and students interested in the work of Deleuze but, also, to those interested in coming to terms with what might seem an increasing dominance of technology in day to day living.Contributors to this volume include: William Bogard, Abigail Bray, Ian Buchanan, Verena Conley, Ian Cook, Tauel Harper, Timothy Murray, Saul Newman, Luciana Parisi, Patricia Pisters, Mark Poster, Horst Ruthrof, David Savat, Bent Meier Srensen and Eugene Thacker.
In a world where our lives are increasingly mediated by technologies it is surprising that more attention is not paid to the work of Gilles Deleuze. This is especially strange given Deleuze's often explicit focus and reliance on the machine and the technological. This volume offers readers a collective and determined effort to explore not only the usefulness of key ideas of Deleuze in thinking about our new digital and biotechnological future but, also aims to take seriously a style of thinking that negotiates between philosophy, science and art.This exciting collection of essays will be of relevance not only to scholars and students interested in the work of Deleuze but, also, to those interested in coming to terms with what might seem an increasing dominance of technology in day to day living.Contributors to this volume include: William Bogard, Abigail Bray, Ian Buchanan, Verena Conley, Ian Cook, Tauel Harper, Timothy Murray, Saul Newman, Luciana Parisi, Patricia Pisters, Mark Poster, Horst Ruthrof, David Savat, Bent Meier Srensen and Eugene Thacker.
Introduction, David Savat; Control; 1. Deleuze and Machines: A Politics of Technology?, William Bogard; 2. Of Rhizomes, Smooth Space, War Machines and New Media, Verena Conley; 3. Deleuze's Objectile: From Discipline to Modulation, David Savat; 4. How to Surf: Technologies at Work in the Societies of Control. Bent Meier Sorensen; 5. Chemical-Control: From the Cane to the Pill, Abigail Bray; Becoming: 6. Politics in the Age of Control, Saul Newman; 7. Smash the Strata! A Program for Techno-Political Evolution, Tauel Harper; 8. Deleuze and the Internet, Ian Buchanan; 9. Swarming: Number vs. Animal?, Eugene Thacker; 10. The Body without Organs and Internet Gaming Addiction, Ian Cook; 11. Deleuze's Concept in the Information-Control Continuum, Horst Ruthrof; 12. Illusionary Perception and Cinema: Experimental Thoughts on Film Theory and Neuroscience, Patricia Pisters; 13. Surface Folds: The Archival Events of New Medialised Art, Tim Murray; Afterword, Mark Poster; Notes on Contributors; Index
Dr David Savat is Chair of Communication Studies at the University of Western Australia. Mark Poster is Professor of History and a member of the Department of Film and Media Studies at the University of California, Irvine.
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