Legendary writer Ed Brubaker teams with sensational artist Michael Lark for some of the most beloved Daredevil stories of all time! The critically acclaimed, award-winning creative team of Ed Brubaker and Michael Lark concludes its explosive run! The Hand is back in New York and in league with Lady Bullseye! The Kingpin has also returned, forging a surprising pact with Daredevil to target the ninja cult - but what is the former crime boss' true plan? Then, an old friend brings Matt Murdock the last-minute appeal of a villain on death row. What will Matt do when confronted with a convicted bad guy who's completely innocent? Also featuring the threat of the Owl! And Daredevil gains an unlikely new ally: the Black Tarantula! Plus: One of the most surprising endings in Daredevil's history! Collecting: Daredevil (1998) #106-119 and #500, Daredevil Annual (2007) #1, and Daredevil: Blood of The Tarantula
Legendary writer Ed Brubaker teams with sensational artist Michael Lark for some of the most beloved Daredevil stories of all time! The critically acclaimed, award-winning creative team of Ed Brubaker and Michael Lark concludes its explosive run! The Hand is back in New York and in league with Lady Bullseye! The Kingpin has also returned, forging a surprising pact with Daredevil to target the ninja cult - but what is the former crime boss' true plan? Then, an old friend brings Matt Murdock the last-minute appeal of a villain on death row. What will Matt do when confronted with a convicted bad guy who's completely innocent? Also featuring the threat of the Owl! And Daredevil gains an unlikely new ally: the Black Tarantula! Plus: One of the most surprising endings in Daredevil's history! Collecting: Daredevil (1998) #106-119 and #500, Daredevil Annual (2007) #1, and Daredevil: Blood of The Tarantula
Ed Brubaker is one of the most acclaimed writers in comics, a
multiple Eisner Award winner. Following fan-favorite runs on Scene
of the Crime, Sleeper, Catwoman and Gotham Central for DC, he moved
to Marvel. His Captain America relaunch, in which he
controversially revived Bucky Barnes as the Winter Soldier, won
over fans new and old, and his revisionist take on the history of
Marvel’s mutants in X-Men: Deadly Genesis resulted in a regular gig
on Uncanny X-Men, Marvel’s flagship X-title. He and longtime
artistic collaborator Michael Lark took up the baton on Daredevil
after Brian Michael Bendis and Alex Maleev’s legendary run
concluded, and Brubaker jump-started Immortal Iron Fist with
co-writer Matt Fraction and artist David Aja. Marvel’s Icon imprint
published Brubaker’s creator-owned Criminal and Incognito, and he
has gone on to further success at Image Comics with such titles as
Fatale, Velvet and The Fade Out. Beyond comics, Brubaker has
written for TV’s Westworld and co-created the crime drama Too Old
to Die Young.
Michael Lark has teamed with writer Ed Brubaker on DC’s Gotham
Central and the noir Scene of the Crime, as well as adding a
timeworn elegance to the World War II flashbacks in Captain
America. But his work with Brubaker on Daredevil set new highs —
not only for their collaborative efforts, but for the narrative
tapestry of Marvel’s Man Without Fear.
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