Documents works exhibited at The Gallery London, based at 65a Lisson Street NW1, 1973-78 Projects devised between artists included leadingfigures operating at the cutting edge of British art of the time: JohnLatham, Rita Donagh, Stephen Willats, Vaughan Grylls, Gerald Newman,Jonathan Miles. Texts place the art and events within the context of theemerging creative tendencies, and the cultural base and ideas from whichthey formed.
Documents works exhibited at The Gallery London, based at 65a Lisson Street NW1, 1973-78 Projects devised between artists included leadingfigures operating at the cutting edge of British art of the time: JohnLatham, Rita Donagh, Stephen Willats, Vaughan Grylls, Gerald Newman,Jonathan Miles. Texts place the art and events within the context of theemerging creative tendencies, and the cultural base and ideas from whichthey formed.
Art and Events at the turn of the Seventies . A Situation and a Sculpture . 7th Cologne Art Fair . The Development of The Gallery London Displays . Mine Opening . Contemporary Art . Belfast In Art . 100 Years Stoll . Projects Between Artists . John Latham: Offer For Sale . Art Diagrams & Photography Hasselblad . Rita Donagh: Mirror Image . Gerald Newman: Orders I . Stephen Willats: Meta Filter . Tony Rothon: CKOE . John Latham: THE . Art Forum . Jonathan Miles: Global Routes . Examination of the Product . Postscript & Conclusion . Notes & References . Illustrations
Born Nicholas James Philip Wegner (Nicholas Philip James from 2002) Bromley Kent 1948. Studied painting with Frank Auerbach and Keith Vaughan at the Slade School of Art UCL, and History of Art (MA) at Kingston University. From 1973-78 he operated The Gallery, 65a Lisson Street, staging projects with John Latham, Vaughan Grylls, Rita Donagh and others. Since then he worked as a writer, publisher and artist. With Anna Douglas he co-authored Artists Stories (A-n Publications). With Sarah Batiste he published Cv Journal of Art & Crafts 1988-91, forming Cv Publications in 1992 and Cv/Visual Arts Research in 1995.
I remember The Gallery as a strong critical influence on the prevailingclimate.By lacing serious purpose with gentle humour its announcement cards and exhibitions helped to define the issues of the day. Sir Nicholas Serota As regards the operation of The Gallery during the 1970s, it seemed tome to make an extremely important contribution to what was happeningin London at the time. Certainly I always found it extremely stimulatingand important in my own development as an art dealer in terms of thequestions that it forced one to ask oneself. Anthony d'Offay I liked coming a lot to The Gallery because things were unexpected, illuminating, different and ultimately influential. Marina Vaizey I remember the time with great nostalgia. Nicholas Logsdail, Lisson Gallery London
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