The collected work of master poet, Stanley Moss, whose poems are regularly featured in The New Yorker, TLS, and other places.
WINNER OF THE 2016 NATIONAL JEWISH BOOK AWARD FOR POETRY
Moss is oceanic- his poems rise, crest, crash, and rise again like waves. His voice echoes the boom of the Old Testament, the fluty trill of Greek mythology, and the gongs of Chinese rituals as he writes about love, nature, war, oppression, and the miracle of language. He addresses the God of the Jews, of the Christians, and of the Muslims with awe and familiarity, and chants to lesser gods of his own invention. In every surprising poem, every song to life, beautiful life, Moss, by turns giddy and sorrowful, expresses a sacred sensuality and an earthy holiness. Or putting it another way- here is a mind operating in open air, unimpeded by fashion or forced thematic focus, profoundly catholic in perspective, at once accessible and erudite, inevitably compelling. All of which is to recommend Moss's ability to participate in and control thoroughly these poems while resisting the impulse to center himself in them. This differentiates his beautiful work from much contemporary breast-beating. Moss is an artist who embraces the possibilities of exultation, appreciation, reconciliation, of extreme tenderness. As such he lays down a commitment to a common, worldly morality toward which all beings gravitate.
The collected work of master poet, Stanley Moss, whose poems are regularly featured in The New Yorker, TLS, and other places.
WINNER OF THE 2016 NATIONAL JEWISH BOOK AWARD FOR POETRY
Moss is oceanic- his poems rise, crest, crash, and rise again like waves. His voice echoes the boom of the Old Testament, the fluty trill of Greek mythology, and the gongs of Chinese rituals as he writes about love, nature, war, oppression, and the miracle of language. He addresses the God of the Jews, of the Christians, and of the Muslims with awe and familiarity, and chants to lesser gods of his own invention. In every surprising poem, every song to life, beautiful life, Moss, by turns giddy and sorrowful, expresses a sacred sensuality and an earthy holiness. Or putting it another way- here is a mind operating in open air, unimpeded by fashion or forced thematic focus, profoundly catholic in perspective, at once accessible and erudite, inevitably compelling. All of which is to recommend Moss's ability to participate in and control thoroughly these poems while resisting the impulse to center himself in them. This differentiates his beautiful work from much contemporary breast-beating. Moss is an artist who embraces the possibilities of exultation, appreciation, reconciliation, of extreme tenderness. As such he lays down a commitment to a common, worldly morality toward which all beings gravitate.
WINNER OF THE 2016 NATIONAL JEWISH BOOK AWARD FOR POETRY
STANLEY MOSSwas born in 1925 in Woodhaven, NY. Age 17, he enlisted in the US Navy. He kicked around Trinity College and Yale University, worked as a counter-spy for Local 65, sang in a band, worked at New Directions, for Botteghe Oscure in Rome, taught in Rome and Barcelona, is an Old Master dealer specializing in Spanish and Italian paintings, many of which he has discovered. Self-taught in art history, he has sold pictures to the world's major museums. He is publisher and editor at the Sheep Meadow Press. He is published in The New Yorker, TLS, and other reviews in countries where the English language is read. He is translated into German by Hans Magnus Enzensberger, into Chinese by Fu Hao, and into Spanish by Valerie Mejer. There are other translations in the works. He lives mostly on a farm in Duchess County, NY, and is a notorious dog and donkey lover. He is married to the forgiving Jane.
"Almost Complete Poems is Moss’s latest and longest attempt to
establish his gifts as a poet. They are real, and they reflect his
life and talents — his quest for spiritual strength, his Jewish
heritage, his eye on Europe and European art, and his 91
years. Moss tries to write a kind of poetry that his American
juniors rarely attempt: the first-person record of wisdom, jocular
or weighty, gained in a moment or a lifetime, unguarded,
openhearted, profuse. To read him at length is to encounter stacks
of memories, anecdotes and would-be proverbs..." —Stephen Burt, The
New York Times Book Review
"Magisterial … Almost Complete Poems is magnificent. I’ve
read it several times with greater and greater pleasure. Its verbal
generosity and bravura, its humanity, the quality and quantity of
information which it integrates into poetry of the highest order
make it a continuing delight." —Marilyn Hacker
"Open Almost Complete Poems anywhere, and you will come
shockingly upon wisdom and beauty, a diversity of styles—a unity of
voice, a voice that was there since the beginning. I love Stanley
Moss's work. The pace, the strategy, the wit, the knowledge are
astonishing. I want to add that of the generation that is gradually
leaving us, those born in the mid and late 1920s, Bly, Levine,
Kinnell, Rich, Kumen, O’Hara, Cooper, Ferry, Ashbery, Merwin,
Gilbert, Wright, myself, he has a prominent place. He loves
donkeys. He owns Ted Roethke’s raccoon coat. He is an
original." —Gerald Stern
"As a whole, Stanley Moss’s “Almost Complete Poems” is magnificent.
These poems are gorgeous examples of energy coupled with style.
These poems also embody beauty in the service of wisdom. Moss
delights us with his sensual and tender imagination. His erudition
is astounding. Moss is a poet’s poet, and this volume is as
necessary as air to the contemporary poetry scene." —Sonja James,
The Journal
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