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1956 and All That
The Making of Modern British Drama

Rating
Format
Paperback, 280 pages
Published
United Kingdom, 11 February 1999

It is said that British Drama was shockingly lifted out of the doldrums by the "revolutionary" appearance of John Osborne's "Look Back in Anger" at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems?
In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the "problem" of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the making of modern British drama.


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Product Description

It is said that British Drama was shockingly lifted out of the doldrums by the "revolutionary" appearance of John Osborne's "Look Back in Anger" at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems?
In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the "problem" of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the making of modern British drama.

Product Details
EAN
9780415189392
ISBN
041518939X
Other Information
Illustrated
Dimensions
21.6 x 14.1 x 1.9 centimeters (0.35 kg)

Table of Contents

Introduction 1 ‘Why should I care?’: the politics of vital theatre 2 The new Elizabethans: the docile bodies of funding 3 A writer’s theatre: the professionalisation of the playwright 4 Oh for empty seats: the Royal Court and its audiences 5 Something English: the repatriation of European drama 6 Something (un)spoken: quoting, queers, and the fear of theatre 7 Sister Mary Discipline: growing up straight at the Royal Court

About the Author

Rebellato, Dan

Reviews

'This well-written book provides an important interpretive challenge, which both postgraduates and discerning undergraduates should find useful.' - New Theatre Quarterly

'[Rebellato] brilliantly records the experience of the Lord Chamberlain's office at attempts to subvert its homophobic, censorious power ' - Michael Billington, The Guardian

'...very though provoking reading' - Maggie B Gale, University of Birmingham

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